A Summer Night filled with the Warmth of Great Music and Friends Old & New

Ludwig van Beethoven (1770–1827)
String Trio in G major, Op. 9 No. 1
I. Adagio – Allegro con brio
II. Adagio ma non tanto e cantabile
III. Scherzo: Allegro
IV. Presto
(Estimated Time: 26 minutes)

Ernő Dohnányi (1877–1960)
Serenade in C major, Op. 10
I. Marcia: Allegro
II. Romanza: Adagio non troppo
III. Scherzo: Vivace
IV. Tema con variazioni: Andante con moto
V. Rondo (Finale): Allegro vivace
(Estimated time: 24 minutes)

Evening of String Trios

Program:

Ludwig van Beethoven (1770–1827)
String Trio in G major, Op. 9 No. 1
I. Adagio – Allegro con brio
II. Adagio ma non tanto e cantabile
III. Scherzo: Allegro
IV. Presto

Written in 1797–98, Beethoven’s Op. 9 String Trios represent a significant leap forward from the more decorative works of the Classical period. The Trio in G major is particularly striking for its symphonic ambition, dynamic contrasts, and dramatic gestures. In the first movement, a slow and suspenseful Adagio launches into a fiery Allegro con brio, foreshadowing the composer’s bold symphonic style. The second movement offers lyrical serenity and rich textures, while the Scherzo introduces a playful and unpredictable energy. The finale, a whirlwind Presto, displays Beethoven’s signature wit and precision. These trios were, at the time, Beethoven’s most serious chamber works—what he considered a prelude to the string quartet revolution he would soon begin.

Ernő Dohnányi (1877–1960)
Serenade in C major, Op. 10
I. Marcia: Allegro
II. Romanza: Adagio non troppo
III. Scherzo: Vivace
IV. Tema con variazioni: Andante con moto
V. Rondo (Finale): Allegro vivace

Composed in 1902, Dohnányi’s Serenade in C major is a brilliant homage to classical form infused with Hungarian flair and romantic warmth. The opening Marcia is stately yet humorous, setting the tone for a piece that gracefully blends tradition with innovation. A tender Romanza follows, with soaring melodic lines and intimate dialogue among the instruments. The Scherzo, rhythmically vivacious and full of harmonic surprise, leads into a set of thoughtful Variations that showcase the trio’s expressive range. The final Rondo sparkles with wit and rhythmic drive, bringing the serenade to a spirited and joyful close. A favorite of string trios, this work captures Dohnányi’s elegance, craftsmanship, and deep connection to both Viennese classicism and Hungarian musical traditions.